Pentiment

     Title Screen – “O virtus sapientie,” Hildegard von Bingen (1098-1179)

Title Sequence – “Do fraig amors,” Oswald von Wolkenstein (c. 1377-1445)

City of Reason – “Ich stund”/Fortuna desperata,” Ludwig Senfl (c. 1486-c.1543)

Rüdeger’s Rehearsal – “Victimae pascali laudes,” attrib. Wipo of Burgundy (c. 11th century)

Sister Amalie’s First Vision – “Quia ergo femina,” Hildegard von Bingen

The Body – Niccolo Seligmann

Flight from the Library – “Tels rit au main,” Guillaume de Machaut (1300-1377)

Andreas’ Farewell – “Fortuna desperata,” Anonymous (1501)

Andreas’ Return – “Fortuna desperata,” Anon. (1501)

Sister Amalie’s Second Vision – “Quia ergo femina,” Hildegard von Bingen

Otto at the Bonfire – “Fortuna, Bruder Conrat,” Heinrich Isaac (c. 1450-1517)

Melencholia Enthroned – “Ich stund an einem morgen” melody

St. John’s Eve – “Karitas,” Hildegard von Bingen

The Mob Pursues the Abbot – “Saltarello,” Anon. (15th century)

A Deer’s End – “Pavane ‘Mille regretz,’” Tielman Susato (c. 1510-c.1570)

Rüdeger’s Comfort – “Petruslied,” Anon. (c. 10th century)

The Duke’s Herald – “L’homme armé” melody (15th century)

Esther Arrives Ben Matus

A Miller’s End – “Herz., prich,” Oswald von Wolkenstein

Vis Major – “La Déploration sur la Mort de Ockeghem,” Josquin des Prez (c. 1450-1521)

Pagan Pottery – Niccolo Seligmann

The Mithraeum – Niccolo Seligmann

Sic arsit historia kiersis – “Ellend du hast,” Anon. (16th century)

Out of the Shadows – “Fortuna desperata,” Anon. (1501)

City of Madness – “Ich stund an einem morgen” melody

Carcer Mentis – “Fortuna desperata” melody

Manu Propria – “Quia ergo femina,” Hildegard von Bingen

The Thread Puller – “Quis dabit capiti meo aquam?,” Heinrich Isaac

(65 minutes of music - this program is about 80 minutes in performance.)